Tag Archives: Prison Art

The Artists Within: Conor Broderick on Friend and Fellow Artist, Jonathan Cashion

20 Mar

A note from the contributor, Conor Broderick, who encouraged Jon Cashion to share his work with PAC:  I feel art is very important for starting conversations about serious ideas. Expressing oneself can be good for the artist, but that artist’s work might help change someone’s life in a way that she or he might never know about. Learning about oneself is something that comes through the creative process, I have found, and so far there has been a lot of bright, colorful spontaneous expression in my work which speaks of who I am.

Abstract paintings, let alone abstract painters, are rare within the prison artist community where Jon resides. Jon began painting in March of 2016 with his long-time partner, Leslie. The two have been pushing one another and collaborating on paintings. The work that Jon and Leslie create together is a meeting of complementary styles. Leslie’s work, (which we hope to see independently soon) is surreal and combines well with Jon’s “craziness.” As with the Old Masters, two or more painters would work together on a project. Sometimes you cannot know who did what. In the end, all that matters is the effect the pieces have on the viewer.

 

The Journey

“The Journey” by Jon Cashion

With no formal art training, Jon obtains his knowledge through the various books available to him, as well as from learning from his peers. Within the prison environment, there is a lack of artistic direction to guide a developing artist. But this is where Jon sets himself apart. Jon’s work—mainly non-objective, impressionist/expressionist abstracts – is his voice. “…I have found a passion, a deep feeling of having to create something, that I can’t seem to get rid of,” he explains.

See Within

“Seeing Within” by Jon Cashion

Leslie goes into detail. “He started with these ravaged splatter paintings that resemble the result of a bunny encountering a truck in the night.” This describes the explosive energy Jon puts into his work.

Java Nightcap kangaroo

“Java Nightcap ‘Kangaroo'” by Jon Cashion

Jon is fascinated with bold hues and possesses a great eye for creating drama. He also creates on surfaces beyond the canvas, allowing him to paint more frequently. Jon makes his own canvas cut from old sheets.  He then paints the surfaces with his home-brewed gesso. For pastel work, he has developed a textured substrate painted over cardboard, using an acrylic blend containing concrete dust. Jon is currently working on a limited palette series that features homemade oil paints. No brush? No problem!  Random items become the brush – forks, toothbrushes, homemade atomizers, etc.

Yesternight's Adventure

“Yesternight’s Adventure” by Jon Cashion

Recently, Jon began to develop his figure painting skills.  He looks forward to combining this new subject matter with his familiar abstract efforts.  Jon plans to pursue finding his visual voice while future goals are to keep creating painting from life and to explore larger canvas formats.

Ice Cream at Tiffany's

“Ice Cream at Tiffany’s” by Jon Cashion

Events Calendar for the 23rd Annual Exhibition of Art by Michigan Prisoners

23 Feb
STF115Winer,_Gray_Crying Inside_17 (2)

“Crying Inside” by G. Allen

“Prison does not define who we are as people, but instead reflects poor decisions we have made. I would ask that those who judge us to perhaps look past the blue and orange state clothes we wear, and to try to practice empathy. Please try to understand us. Please try to look past our imperfections and most importantly, try to forgive us. I believe that many inmates struggle with, yet desperately desire to express who they truly are, and the reasons are numerous. Creating art is one avenue I personally use to express myself. All of my paintings reflect either my sadness, my happiness, my dreams, my desires, my passions, or I just find them beautiful. Whatever painting of mine you may be looking at right now, please know that while you are certainly seeing a part of me, there is far more to understand and discover about me beyond the blue and orange I wear.” G. Allen, 2018

23rd Annual Exhibition of Art by Michigan Prisoners

March 21 – April 4, 2018
Duderstadt Center Gallery
University of Michigan North Campus
2281 Bonisteel Blvd., Ann Arbor, MI 48109

The Annual Exhibition of Art by Michigan Prisoners is one of the largest exhibitions of art by incarcerated artists in the country. Each year, faculty, staff and students from the University of Michigan travel to correctional facilities across Michigan and select work for the exhibition while providing feedback and critique that strengthens artist’s work and builds community around making art inside prisons.

The 23rd Annual Exhibition of Art by Michigan Prisoners is supported by the Michigan Council for the Arts and Cultural Affairs, University of Michigan Office of the Provost; College of Literature, Science, and the Arts; School of Music, Theatre & Dance; Stamps School of Art and Design; Residential College.

Events Calendar

Exhibition hours are 12pm-6pm Sunday and Monday; 10am-7pm Tuesday through Saturday. The gallery will be closed April 1.

Opening Events, 23rd Annual Exhibition of Art by Michigan Prisoners

Wednesday, March 21, 2018
Duderstadt Center Gallery
Celebrate the opening day of the 23rd Annual Exhibition of Art by Michigan Prisoners. Gallery opens at 10am. Sales begin at 6 pm. Opening Reception will begin at 7 pm, with guest speakers from the University of Michigan, the Michigan Department of Corrections, and artists from previous exhibitions.

Keene Theatre Performance with Friends from Brazil

Friday, March 23, 2018 from 7 to 8 pm
Keene Theatre, Residential College, East Quad
Join PCAP as we welcome visitors from the theatre departments of two universities in Brazil, UDESC in Florianópolis and UniRio in Rio de Janeiro. Students and faculty from both universities host a group of PCAP students and Prof. Ashley Lucas each summer as part of our ongoing exchange program. Our friends from Brazil will perform various short pieces of theatre, dance, and music in the Keene Theatre as a way to share some of their phenomenal performance work with us.

Artists’ Panel, 23rd Annual Exhibition of Art by Michigan Prisoners

Sunday, March 25, 2018, 11am – 12:30pm
Duderstadt Center Gallery
Artists from previous Prison Creative Arts Project exhibitions share their stories and answer questions about life as a prison artist in this informal panel discussion, moderated by Professor Emerita Janie Paul.

The 10th Anniversary Edition, Michigan Review of Prisoner Creative Writing Volume 10, Ann Arbor Reading

Sunday, March 25, 2018, 4pm – 6pm
East Room, near the Duderstadt Gallery – North Campus
Hear selections from this year’s 10th anniversary special edition, read by family and friends of contributing authors. Books will be for sale. Cosponsored by LSA Residential College, LSA Department of English Language and Literature, and the Jackson Social Justice Fund of Unitarian Universalist Congregation, Ann Arbor
PCAP’s Michigan Review of Prisoner Creative Writing seeks to showcase the talent and diversity of Michigan’s incarcerated writers. The review features writing from both beginning and experienced writers – writing that comes from the heart, and that is unique, well-crafted, and lively.

Maine Inside Out Performance

Wednesday, March 28, 2018, 6:30-8pm
Keene Theatre, Residential College, East Quad, Room B-141
Maine Inside Out (MIO) artists facilitate the creation of original theatre to engage the community in dialogue about issues related to incarceration. Chiara Libertore, one of Professor Emeritus William “Buzz” Alexander’s first students (LSA English Language and Literature) in what would become the Prison Creative Arts Project (PCAP), co-founded the MIO non-profit in 2007. MIO provides year round voluntary theatre workshops for more than half of the young people at Long Creek Youth Development Center in South Portland, Maine. Its reintegration program for newly-released Maine Inside Out participants includes weekly community groups, mentoring, and transitional employment opportunities for youth in three Maine communities that incarcerate the highest number of young people.
MIO’s transformative justice curriculum includes a new original production created by young adult artists debuting in 2017. Join us for a public performance and dialogue in the Residential College’s Keene Theatre.

Keynote: “Voices from the Abyss: Twenty Years of Journalism with the Angolite Magazine,” Kerry Myers

Thursday, March 29, 2018, 7pm-9pm
Duderstadt Center Gallery
Kerry Myers grew up in a small town suburb of New Orleans. He holds a B.A. in Communications and Journalism. In 1990, he was sentenced to life without parole. Kerry served his time in the Louisiana State
Penitentiary, know famously as Angola. In 1996, Wilbert Rideau, the incarcerated editor of the prison’s news magazine The Angolite, recruited Myers to write for the publication. In June 2001, when Rideau left prison, Myers became only the second editor of The Angolite in the previous 25 years. Under his guidance, the magazine reported on the death penalty with a depth and clarity that was recognized with the Thurgood Marshall Journalism Award in 2007, the first of many honors and awards.
Taking on subjects like human trafficking, juvenile life without parole, aging, Alzheimer’s and dementia in prison, sentencing, pardons and parole policy and more, Myers guided the magazine as it became a resource for many top criminal justice and law programs in the US. In 2011 and 2012, Myers wrote a critically acclaimed series on the history of women in the Louisiana penal system, from Pre-Civil War to the present. In December 2016, Governor John Bel Edwards signed Myer’s second unanimous commutation of sentence, recommended by the Board of Pardons and Parole. Since that time, Myers has been working as a free-lance journalist and photographer, and is active in criminal justice reform in Louisiana, leading a wave of change in the state.

Michigan Art for Justice Forum

Tuesday, April 3, 2018, 9am-5pm in the Rogel Ballrom, Michigan Union
Reception 5:30-7pm in Duderstadt Center Gallery
In partnership with the California Lawyers for the Arts, Shakespeare Behind Bars, Creative Many, and the Art for Justice Fund, we are hosting the Michigan Art for Justice Forum. This all-day symposium will bring together lawmakers, artists, scholars, and formerly incarcerated people to discuss the necessity of arts programming in the criminal justice system. This forum is part of series of six forums happening in six states: Michigan, Texas, Alabama, Georgia, New York, and California. For more information, please send an inquiry to aic@calawyersforthearts.org. Reception to follow, featuring a performance by Wayne Kramer.

Artwork Pickup, 23rd Annual Exhibition of Art by Michigan Prisoners

Wednesday, April 4, 2018, 6pm-8pm
Thursday, April 5, 2018, 10am-4pm
Duderstadt Center Gallery
Please bring your proof of purchase or your letter from PCAP if the work was not for sale. Volunteers will be available to help locate and package your artwork. Artwork selected for the Award Winners and Selected Work exhibit will be available in July. Art is not available for sale during artwork pickup times.

All events are free. No ticket required.

PAC’s online gallery leads to a big opportunity for artist Conor Broderick

22 Jan

About the contributor: Rebecca Kelly is Conor Broderick’s aunt. She is a New York City choreographer, founder of the Rebecca Kelly Ballet, and Artistic Director of the Tahawus Cultural Center, in Au Sable Forks, NY. 

For my nephew Conor, an artist whose work is featured in PAC’s online gallery, 2017 topped off with an invitation (and rush deadline) to design a menu cover for EDWINS Restaurant of Cleveland, OH, which was being highlighted for a significant awards dinner at the James Beard Foundation in NYC.

The James Beard Foundation’s mission is to celebrate, nurture, and honor chefs and other leaders making America’s food culture more delicious, diverse, and sustainable for everyone.

The EDWINS Restaurant website describes EDWINS’ Founder and CEO, Brandon Edwin Chrostowski, as being “on a mission to change the face of re-entry in the United States. In 2007, he founded EDWINS Leadership & Restaurant Institute. His belief that ‘every human being regardless of their past has the right to a fair and equal future’ is what drove the creation of EDWINS.” EDWINS draws diners for its lauded classic French fare, but the best things to come out of its kitchen may be the formerly incarcerated adults who receive hospitality and culinary training through the eatery’s Leadership Institute, 95% of whom have been able to secure employment after graduation.

Brandon reached out to Wendy at PAC about his “art for dinner” menu concept, saying, “We’ve been invited to cook at the James Beard House in NYC, one of the highest honors in the culinary world.  When cooking here we also provide the menu. And for the front of the menu I’m looking to feature a work of art. The night will be filled with decadent French food, wine and of course our mission. Along with our restaurant and training center on the outside we also have programs in thirteen prisons. In all my time I have yet to see art like I see on your site, and I am hoping that you could help me find an artist for the art work for the front of the menu.”

On December 18, Wendy passed along the opportunity to design a menu cover to Conor and other artists whose work is shown in the PAC gallery.  The deadline was for the finished work to arrive by January 5. I really wasn’t sure if Conor would take on the challenge — particularly at this complicated and dark time of year. The holiday period is tough enough for many people. Suddenly Conor would be dealing with an outside deadline. Incarceration makes the time pass differently — days and weeks merge or stretch into unmeasurable spans. His art room suddenly had limited access due to the holiday schedules of correction officers. The mail room was only open one day a week to send larger packages.

Painting has had the most tremendous impact on Conor. At first, possibly it was a release, a way to pass time, but it has grown into something more like a companion, and conversation, a passion, a window into a new world. Conor was always artistic, studying drawing, painting and design, in high school under the guidance of a beloved teacher.  But in more recent years, as he tackled watercolor he eagerly acquired new skills.

Watercolor is complex because it requires a great deal of forethought and planning.  His growing techniques in this medium are self-taught. His grand-father and another adult friend, both artists, mentor him through the mail.

 In the fall, Conor began to take a college distance learning program to complete his interrupted Associates Degree.  In addition to courses in Business and Sociology, he is taking a course called Exploring Art: A Global, Thematic Approach. The resulting grade on his first paper was an A! The prison also asked him to design and teach a course in watercolor painting in the spring.

Conor said yes to the menu challenge!  He managed to get his work into the mail on January 3rd. He thought to send me the USPS tracking number, so I would know when it could arrive. But then it waited in the prison for two days, and afterwards must have traveled by pony express. Or maybe it was the East Coast snow storm. It was ten days before it finally arrived. Meanwhile Brandon was as calm and encouraging as could be throughout my updates about missing mail. He simply said, “I love beating the odds.” But I was on tenterhooks.

Finally, on the afternoon of Saturday the 12th, the artwork arrived! Conor wrote:  “My menu was a combination of oil pastel, watercolor, ink, ink pencils, as well as a varnish (on the knife and spoon).  I used a picture you took (of Carnegie Hall) in Manhattan for the perspective.” The result was a looming cityscape with a gleaming knife and spoon in the foreground. The towering buildings and walls were painted in shades of browns, blues and grays, illuminated by a yellow, ochre, and rose sky.  Brandon wrote, “Amazing,” when he received the design.

January 17, 2018. On the day of the event, we met Brandon to pick up a sample menu, and received a quick tour of the James Beard House. The site was a narrow brownstone in the West Village, with an impressive walled garden, terrace and dining rooms. Its basement is devoted to a surprisingly compact kitchen and receiving room. The atmosphere was focused and quiet, filled with very busy staff deftly arranging and filling dishes. Passing through the kitchen, and terrace, we were shown the elegant dining rooms upstairs on the first floor.

Brandon told us that they would seat 78 guests that night — quite a few more than expected. All the handsome menu designs (there were six) were bold, vivid, and varied, 13x 16, and printed on a fine heavy linen-vinyl stock, with the hand-printed menu on the backs. All but Conor’s had signage integrated over the design.  Perhaps because his design arrived late, there wasn’t time to add logo and names and dates.  His menu looked unique.

This holiday season turned out to be a creative period for Conor, which brings to his parents and to all his family peace and pride. We have PAC to thank for connecting Conor to this opportunity!

Brandon Chrostowski

Brandon Chrostowski, Chef of EDWINS Restaurant of Cleveland OH, holding Conor’s menu design, just before his awards event at the James Beard House and Foundation, NYC.

Top chef in kitchen

Brandon and staff in the kitchen.

Table setting 2

Table setting

Menu design Edwins Restaurant

Conor’s menu design

Detail of Conor menu design

Detail of Conor’s menu design

Conor Broderick, artist, 2017